Eloïse Brac De La Perrière - <div style="text-align: justify; ">Within the corpus of manuscripts attributed to Sultanate India (thirteenth to sixteenth centuries), one group of Korans stands out. These Korans, which are in the Bihari script, follow precise and recurrent rules. They are defined by the use of Bihari calligraphy, a writing style specific to the Indian subcontinent, as well as by a common ornamentation and a particular page layout that reveals&nbsp;a complex hermeneutical system. This system is made up of different categories of texts related to the Koran, among which are repeated references to the canonical readings, or&nbsp;<span style="box-sizing: inherit; font-style: italic;">qira'āt</span>. Several manuscripts also contain a book of divination (<span style="box-sizing: inherit; font-style: italic;">fālnāma</span>) appended at the end. The oldest specimens are among the earliest known manuscripts for India, even though their production extended into the nineteenth century, which raises numerous questions about the milieu in which they may have come into existence and the uses for which they may have been intended.<br></div>
Manuscripts in Bihari Calligraphy: Preliminary Remarks on a Little-Known Corpus
Type
journal article
Year
2016
Within the corpus of manuscripts attributed to Sultanate India (thirteenth to sixteenth centuries), one group of Korans stands out. These Korans, which are in the Bihari script, follow precise and recurrent rules. They are defined by the use of Bihari calligraphy, a writing style specific to the Indian subcontinent, as well as by a common ornamentation and a particular page layout that reveals a complex hermeneutical system. This system is made up of different categories of texts related to the Koran, among which are repeated references to the canonical readings, or qira'āt. Several manuscripts also contain a book of divination (fālnāma) appended at the end. The oldest specimens are among the earliest known manuscripts for India, even though their production extended into the nineteenth century, which raises numerous questions about the milieu in which they may have come into existence and the uses for which they may have been intended.
Citation
De La Perriere, Eloise Brac. "Manuscripts in Bihari Calligraphy: Preliminary Remarks on a Little-Known Corpus." Muqarnas: An Annual On The Visual Cultures Of The Islamic World 33 (2016): 63-90.
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Copyright
Eloïse Brac De La Perrière
Language
English
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