Saleh Makiya (1914-2015) was born in Baghdad and educated in England, receiving his
BArch at Liverpool School of Architecture and a diploma in civic planning from
Liverpool University in 1941 and 1942, respectively. He completed his studies at Kings College,
Cambridge, earning his PhD in 1946. He
returned to Baghdad that same year and established Makiya Associates, an
architectural and planning consultancy practice. During the 1950s he designed houses and
commercial buildings and became increasingly aware of the heritage of Iraqi
architecture. Dr. Makiya was one of the
original founders of the Department of Architecture at the College of
Engineering, Baghdad University, in 1959.
He remained head of the department until 1968. During subsequent years, Makiya Associates
offices were established in Bahrain, Oman, London, Kuwait, Doha, Abu Dhabi, and
The works and ideas of Mohamed Makiya and his firm
have been investigated in numerous books and articles, and examined and explored
in conferences and exhibitions, including an international conference on
Baghdad architectural heritage held in early 2013 at the University of
Baghdad. The conference was part of the
events of “Baghdad, Arab Capital of Culture for the Year 2013”, sponsored
through a partnership between the University of Baghdad, Ifpo (the French
Institute of the Near East), and the UNESCO Office for Iraq.
Makiya’s contributions to the fields of
architecture and urbanism and, in particular, his sophisticated incorporation
of traditional forms into modern architecture, cannot be overstated. His work embodies ideas of urban conservation,
regionalism in form, and continuity of architectural heritage; ideas which continue
to younger generations of architects throughout the Middle East.
Makiya Associates. Mosul Museum of Antiquities. London: Makiya Associates, circa 1973
The Mosul Museum of Antiquities, alternatively named the Mosul Museum, was one of Mohamed Makiya's and Makiya Associates' buildings in Iraq, and the only one built in Mosul of which the Aga Khan Documentation Center is aware. This volume contains original photographs of architectural drawings in Arabic, and original photographs taken during construction of the building. The Aga Khan Documentation Center did not receive the original drawings for the Museum with the Mohamed Makiya Archive; these photographs of the site plans, floor plans, and elevations are the only representations of the drawings known to the Center.