Chant Avedissian
engages the viewer with a body of work that integrates images of iconic figures in Egyptian history, traditional Pharaonic iconography and art of the 1950s and 1960s.1
Coming from Christian Armenian traditions due to his origins, but raised and educated inside the Egyptian culture and schools, he and his work had been always committed to the identity of nations, traditions and culture. His work for the Aga Khan Foundation with celebrated Egyptian architect Hassan Fathy (1900-1989), inspired him to develop a strong interest in traditional art and local materials: all the tracks and tools he follows to understand and get a close look to his own primal identity as a transversal human being.2
engages the viewer with a body of work that integrates images of iconic figures in Egyptian history, traditional Pharaonic iconography and art of the 1950s and 1960s.1
Coming from Christian Armenian traditions due to his origins, but raised and educated inside the Egyptian culture and schools, he and his work had been always committed to the identity of nations, traditions and culture. His work for the Aga Khan Foundation with celebrated Egyptian architect Hassan Fathy (1900-1989), inspired him to develop a strong interest in traditional art and local materials: all the tracks and tools he follows to understand and get a close look to his own primal identity as a transversal human being.2