Nur Sobers-Khan

Nur Sobers-Khan is a curator and researcher in the field of Islamic art, manuscripts, and archival collections. She is currently Head of Curatorial, Collections and Exhibitions at the Museums Commission, Ministry of Culture, Saudi Arabia, where she supervises the general administration responsible for creating new museums and collections. Nur served as Program Head of the Aga Khan Documentation Center, MIT Libraries (AKDC@MIT) from 2021-2022.

After completing a BA in Oriental Studies in Arabic and Persian followed by a PhD in early modern Ottoman social history at the University of Cambridge that focused on archival and manuscript sources, Nur went on to work in manuscript and Islamic art collections in the UK and the Middle East. Her previous projects have included the creation of digital catalog records for the British Library’s Persian manuscript collections and achieving a grant to fund the digitization of unpublished catalog notes for the Delhi Collection manuscripts while working as the Iran Heritage Foundation Curator for Persian manuscripts at the British Library. She has also served as principal investigator of the major research and digitization project Two Centuries of Indian Print (see, also,, a four-year-long project (2016-2020) leading a team of specialists to conserve, catalog, digitize, and research the early printed South Asian book collection at the British Library (BL) and innovate new approaches in digital humanities research methods for South Asian-language material during her time as the lead curator for South Asian collections at the BL since 2015.

She has curated exhibitions while working at the Museum of Islamic Art in Doha, Qatar, on manuscript production at the Safavid and Mughal courts and on the visual tropes of gender in the Qajar period, which resulted in a book-length study. Other publication topics include the social history of slavery and manumission in 16th-century Istanbul based on Ottoman court records, Islamic dream interpretation and epistemological pluralism, Islamic art and museology, and more recently, some forthcoming essays on the visuality of Islamic divination and the transition from manuscript to lithograph production in 19th-century South Asia. In addition to her work as a cultural heritage practitioner, Sobers-Khan has also recently spent a year teaching as associate professor in the newly created department of Comparative Liberal Studies at Habib University in Karachi, Pakistan, where she served as co-director of the new department and also had the opportunity to design and teach the undergraduate courses “Dream Interpretation: A Decolonial History” and “Islamic Art and Visual Culture: From the Middle East to South Asia.”

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